Las óleos de todo Jacob van Ruisdael
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ID Image  Painting (From A to Z)       Details 
10232  
Jacob van Ruisdael, View of Haarlem with Bleaching
  		 View of Haarlem with Bleaching   Grounds c 1665 Oil on canvas, 62,2 x 55,2 cm Kunsthaus, Zurich
50068  
Jacob van Ruisdael, View of Haarlem with Bleaching Grounds
  		 View of Haarlem with Bleaching Grounds   mk207 Signed,lower left about 1670-75 Canvas 62.2x55.2cm
50117  
Jacob van Ruisdael, View of Haarlem with Bleaching Grounds
  		 View of Haarlem with Bleaching Grounds   mk207 Signed early 1670s canvas 55.5x62cm
50121  
Jacob van Ruisdael, View of Het Lj on a Stormy Day
  		 View of Het Lj on a Stormy Day   mk207 65.8x82.7cm
50122  
Jacob van Ruisdael, View of het lj on a stormy Day
  		 View of het lj on a stormy Day   mk207 65.8x82.7cm
50097  
Jacob van Ruisdael, View of Naarden
  		 View of Naarden   mk207 Signed and dated 1647 34.8x67cm
50118  
Jacob van Ruisdael, View of the Dunes near Bl oemendaal with Bleaching Fields
  		 View of the Dunes near Bl oemendaal with Bleaching Fields   mk207 Signed Canvas 52x65.2cm
50114  
Jacob van Ruisdael, View of the Ruins of Huis ter Kleef and Haarlem
  		 View of the Ruins of Huis ter Kleef and Haarlem   mk207 Signed second half of the 1670s canvas 40x40cm
10234  
Jacob van Ruisdael, Village at Winter at Moonlight
  		 Village at Winter at Moonlight   Oil on canvas 36 x 32 cm Staatsgalerie, Schleissheim
50111  
Jacob van Ruisdael, Village in Winter
  		 Village in Winter   mk207 Signed about 1665 Canvas 36.7x32.5cm
10239  
Jacob van Ruisdael, Waterfall by Church
  		 Waterfall by Church   1667Oil on canvas 109 x 131,5 cm Wallraf-Richartz Museum, Cologne
50082  
Jacob van Ruisdael, Waterfall in a Hilly Wooded Landscape
  		 Waterfall in a Hilly Wooded Landscape   mk207 Signed About 1660 Canvas 105.5x123.4cm
50089  
Jacob van Ruisdael, Waterfall in a Mountainous Landscape with a Ruined castle
  		 Waterfall in a Mountainous Landscape with a Ruined castle   mk207 Signed About 1665-70 Canvas 119x180cm
10240  
Jacob van Ruisdael, Waterfall in a Rocky Landscape
  		 Waterfall in a Rocky Landscape   1660Oil on canvas 98,5 x 85 cm National Gallery, London
50091  
Jacob van Ruisdael, Waterfall near oan Oak wood
  		 Waterfall near oan Oak wood   mk207 Signed Late 1660s Canvas 142x195cm
50079  
Jacob van Ruisdael, Waterfall with a Half-timbered House and Castle
  		 Waterfall with a Half-timbered House and Castle   mk207 Signed on a rock lower right About 166.5 canvas 99.7x86.3cm
10237  
Jacob van Ruisdael, Waterfall with Castle Built on the Rock
  		 Waterfall with Castle Built on the Rock   1665Oil on canvas, 100 x 86 cm Herzog Anton Ulrich-Museum, Braunschweig
10242  
Jacob van Ruisdael, Wheat Fields
  		 Wheat Fields   1670 Oil on canvas, 100 x 130,2 cm Metropolitan Museum of Art, New York
50109  
Jacob van Ruisdael, Windmill at Wijk bij Duurstede
  		 Windmill at Wijk bij Duurstede   mk207 Signed About 1670 Canvas 83x101cm
24176  
Jacob van Ruisdael, Windmill by a Stream (mk25)
  		 Windmill by a Stream (mk25)   c 1646
10244  
Jacob van Ruisdael, Winter Landscape
  		 Winter Landscape   1670 Oil on canvas 42 x 49,7 cm Rijksmuseum, Amsterdam
50075  
Jacob van Ruisdael, Winter Landscape
  		 Winter Landscape   mk207 Signed,lower right Late 1660s Canvas 5.2x68.6cm
50112  
Jacob van Ruisdael, Winter Landscape with a Lamp-post and and a Distant view of Haarlem
  		 Winter Landscape with a Lamp-post and and a Distant view of Haarlem   mk207 1670s Canvas 37x32cm
50113  
Jacob van Ruisdael, Winter landscape with two windmill
  		 Winter landscape with two windmill   mk207 Signed about 1675-80 Canvas 38x42.5cm
50090  
Jacob van Ruisdael, Wooded river bank
  		 Wooded river bank   mk207 Monogrammed 1650s Panel 26.4x35.5cm
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Jacob van Ruisdael
Dutch Baroque Era Painter, ca.1628-1682 Ruysdael's favorite subjects are simple woodland scenes, similar to those of Everdingen and Hobbema. He is especially noted as a painter of trees, and his rendering of foliage, particularly of oak leaf age, is characterized by the greatest spirit and precision. His views of distant cities, such as that of Haarlem in the possession of the marquess of Bute, and that of Katwijk in the Glasgow Corporation Galleries, clearly indicate the influence of Rembrandt. He frequently painted coast-scenes and sea-pieces, but it is in his rendering of lonely forest glades that we find him at his best. The subjects of certain of his mountain scenes seem to be taken from Norway, and have led to the supposition that he had traveled in that country. We have, however, no record of such a journey, and the works in question are probably merely adaptations from the landscapes of Van Everdingen, whose manner he copied at one period. Only a single architectural subject from his brush is known--an admirable interior of the New Church, Amsterdam. The prevailing hue of his landscapes is a full rich green, which, however, has darkened with time, while a clear grey tone is characteristic of his seapieces. The art of Ruysdael, while it shows little of the scientific knowledge of later landscapists, is sensitive and poetic in sentiment, and direct and skillful in technique. Figures are sparingly introduced into his compositions, and such as occur are believed to be from the pencils of Adriaen van de Velde, Philip Wouwerman, and Jan Lingelbach. Unlike the other great Dutch landscape painters, Ruysdael did not aim at a pictorial record of particular scenes, but he carefully thought out and arranged his compositions, introducing into them an infinite variety of subtle contrasts in the formation of the clouds, the plants and tree forms, and the play of light. He particularly excelled in the painting of cloudscapes which are spanned dome-like over the landscape, and determine the light and shade of the objects. Goethe lauded him as a poet among painters, and his work shows some of the sensibilities the Romantics would later celebrate.



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